Vol. I · Fiction
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Books,
written
into the
future.
A small house of writers, illustrators and publishers. We take ideas from the napkin, the voice memo, the half-finished draft — and return them as books worth holding, with the author's name on the cover and one hundred per cent of the copyright in the author's hands.
Client
pick
Studio at a glance — current projects in writing, illustration and publishing
Every service your book needs.
From first word to first reader — writing, illustration, cover design and KDP publishing under one roof.
eBook Ghostwriting
Fiction, non-fiction, business and self-help — a named writer, fortnightly drafts, 100% of rights to you.
Children's Books
Story, illustration, fixed-layout EPUB and KDP publishing — everything a picture book needs in one engagement.
Book Cover Design
Two concepts, three revisions each — commercial-grade covers that sell on the shelf and stand out on screen.
KDP Publishing
Amazon Kindle and Apple Books — files epubcheck-validated, in your account, under your name and rights.
Memoir & Biography
Interview-led, voice-faithful ghostwriting for the life story you've always meant to write. NDA on request.
EPUB & Formatting
Reflowable, fixed-layout and workbook formats for every platform — epubcheck-clean, KDP-ready, Apple-approved.
A few books, from a longer shelf.
A sampler from our catalogue. Move closer — the spines move with you.
Vol. I · Fiction
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Vol. II · Fiction
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Vol. III · Children's Books
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Vol. IV · Business
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Vol. V · Fiction
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Vol. VI · Fiction
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Vol. VII · Children's Books
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Vol. VIII · Biography
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Vol. IX · Fiction
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Vol. X · Biography
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Vol. XI · Children's Books
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Vol. XII · Biography
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Vol. XIII · Children's Books
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Vol. XIV · Business
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Vol. XV · Fiction
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Vol. XVI · Fiction
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Vol. XVII · Fiction
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Vol. XVIII · Fiction
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Vol. XIX · Biography
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Vol. XX · Business
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Vol. XXI · Fiction
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Vol. XXII · Biography
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Vol. XXIII · Fiction
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Vol. XXIV · Biography
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Vol. XXV · Business
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Vol. XXVI · Biography
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Vol. XXVII · Biography
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If your book belongs on a shelf like that one — let's begin a reading.
As referenced in literary and trade press
literary & trade press
What we make, in order of how often we make it.
Six imprints, one studio. Each piece is scoped per manuscript — the bands below are honest starting points, not bait.
A page from our books.
You can judge a publisher by their typesetting. The kerning of the chapter opening. The way the drop cap meets the body. The breathing room around the folio. The fact that the line lengths look effortless — which is the most expensive thing on a printed page.
This is a real spread from one of our 2026 titles, set in the type we set most of our literary fiction in: Source Serif, optical-sized for body, italic for emphasis, with a wine-coloured drop cap on chapter openings. Every book we make passes through this exact craft step before it goes to print.
- Typeface
- Source Serif, optical sizes
- Trim
- 5.5 × 8.5 in.
- Body
- 10.5 pt / 17 leading
- Drop cap
- 40 pt, italic, wine
And so it began — not with the sound of footsteps on the porch, as the family had long expected, but with the smaller, stranger thing of a single brown envelope, addressed in handwriting nobody recognised, slipped beneath the door.
The envelope was thin. It contained almost nothing of practical use. But the hill had been waiting for that envelope for thirty-one years.
Anjali Sharma was the one who found it. She was seventeen, the second daughter, the one who read the post because nobody else would, and she carried it in to the kitchen in the particular way she carried things she had not yet decided to be afraid of — held out at the end of her arm, like an offering.
Her grandmother was at the stove. Her grandmother was always at the stove. That was, in part, what made the house a house, and the hill a hill that meant something — the stove, the woman tending it, and the particular smell of cardamom and woodsmoke.
"Granny," Anjali said. "Look."
Her grandmother did not turn. She lifted the lid from the pot, looked inside as if asking the daal for advice, and stirred once. Only then did she say, without looking up: "Where did you find it?"
"Beneath the door."
"And the name on it?"
"Yours."
You bring the idea. We bring a proposal in writing, a named editor, and round figures.
Three books, with the numbers attached.
Outcomes our authors have agreed to make public — the rest of the catalogue is under NDA.
Biography
The Giggling Nurse
"We started with a notepad and a voice memo. Six months later it was on Amazon, with my name on the spine."
View on Amazon →
Fiction
What A Guy!
"They asked, twice, what the book was actually about. The second time was the one that mattered."
View on Amazon →From your form to your readers.
Six clear steps — no surprises, no hidden rounds. You know exactly where your book stands at every point.
Fill the form.
Complete our "Write My eBook" form with your idea, genre, target reader, and any notes you have. It takes five minutes.
We contact you.
A dedicated representative reaches out within 24 hours to introduce the team and schedule a discovery call at a time that suits you.
Requirement gathering.
A focused 30-minute call to understand your vision, voice, length, and timeline. We ask the awkward questions so the manuscript doesn't have to.
Proposal finalised.
You receive a fixed-price proposal — named writer, delivery calendar, plain-English contract. No work begins until you sign off.
Drafts & revisions.
Fortnightly draft batches delivered to your inbox. Mark up freely — revisions happen inside the same round, no extra charges.
We publish.
Your book goes live on KDP and Apple Books in your name. Files validated, cover live, launch list ready. You keep 100% of the rights.
Where is your manuscript today?
From the post.
A small selection of notes we have kept, with permission.
The most useful thing they did was tell me, in the second call, that my draft was actually two books in a trench coat. They were right. We split it. Both came out the better for it.
I came in with three watercolours and a story my daughter had narrated into my phone. They turned it into a real picture book — on Amazon, in print, with my name on the spine.
I have hired ghostwriters before. This was the first time the manuscript actually sounded like me — not like a thoughtful person impersonating me.
The KDP file passed validation the first time. After two years of rejections from a different service, this alone was worth the fee. The cover sold the book; the typesetting kept the reader.
Letters like these come from authors who started with a half-hour call. Yours can begin the same way.
Seven things we promise, in writing.
Not a comparison. A list of commitments we sign into every contract — and the small proof beside each one.
-
I.
100%Author copyright
The author keeps one hundred percent of the rights.
Print, digital, audio, translation, film. Yours, from the moment the first draft lands on the page. Written into the first paragraph of every contract.
-
II.
2namesOn every project
A named editor and writer, from page one to launch day.
You meet them in week one. You email them directly. They are on the colophon of your book. We do not pass manuscripts around an anonymous pool.
-
III.
0linesShipped unread
AI for the homework. Human hands on every line.
Research, voice-sample studies, validation passes — accelerated by AI. The book itself is written, edited and shaped by named humans. Your manuscript is never used to train a third-party model.
-
IV.
48hrsFrom brief to quote
A fixed-price proposal in forty-eight hours.
Round figures, not bids. No surprise add-ons after the contract is signed. If a scope changes mid-project, we tell you in writing before the next sentence is drafted.
-
V.
0/472025 rejections
Every file passes the store on the first submission.
Every EPUB and KDP file is auto-checked against thirty-plus rejection criteria before it leaves the studio. If a store rejects it, we re-cut it at our cost. Zero KDP rejections across forty-seven titles in 2025.
-
VI.
2pagesAverage contract
A plain-English contract. NDA on request.
Two pages, not twenty. Authorship, royalties, IP, kill-fee and timelines on one side of the table. If your lawyer wants to redline a clause, ours will pick up the phone.
-
VII.
3editionsPlus a custom one
Transparent pricing. No call-to-quote walls.
Edition I, II and III sit on the home page with their starting figures. Custom work is quoted in two paragraphs and a number — never hidden behind a sales-call funnel.
Signed into every engagement letter. Countersigned, returned, and held with the manuscript.
— The
Editors, ebookwriting.ai
The shortest path to a book worth holding is a fifteen-minute call.
Notes from the editor's desk.
A quiet, occasional journal on writing, publishing and the small craft of getting a book into a reader's hands.
The Patterns We Inherit
"With a tender yet unsentimental lens, the narrative examines love as a delicate balancing act between separate identities, finite emotional capacities, and the unseen ancestral patterns we carry. True healing is framed not as a crowning achievement, but as the enduring courage to stay present in the messiness of reality instead of retreating into isolation."
Picked by Kevin Anderson · Senior EditorThe questions we are asked most.
Eight answers, written in plain English. Anything we didn't cover, send to contact@ebookwriting.ai.
How long does it take to make a book?
Who owns the rights to my book?
What does it actually cost?
What's your revision policy?
What if I don't like the draft?
Do you sign NDAs?
How do you use AI?
What about KDP rejections?
The 2026 Self-Publishing Cost Guide.
A 28-page PDF with honest pricing for every step — writing, illustration, formatting, ISBN, marketing, ads — including the prices we charge and the prices our three biggest competitors charge.
- Edition-by-edition pricing breakdown, USD & GBP
- Royalty math for KDP, Apple, Ingram and Kobo
- 30-day post-launch checklist used on every house title
- Read time: 22 minutes. No sign-up needed beyond email.
Cost Guide
edition · 28 pp. Pricing · Royalties · Launch · Marketing
Compiled by the editors
Begin a book.
A discovery call is fifteen minutes. The proposal that follows is free, written, and yours to keep.
Send us your idea.
We'll send back
a plan for a book.
You don't need a manuscript. You don't need a chapter. You don't even need a title. You need a quiet half-hour and the willingness to be asked direct questions about what you actually want to put on the cover.